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Our factory is managed by first class professional production teams equipped with state of the art CNC milling machines. Our customer service team is here to help you wherever you are. We devote ourselves to making the best possible products in the same way you devote yourselves to your shoots.

We strive to meet your needs and dreams. Your personal experiences and feelings about our products help us to improve our entire product line.

We are not just providing you with industry-leading equipment but an entire professional solution to your filmmaking needs.

We greatly value making your next shoot flexible and streamlined.

Embrace freedom of choice.
There are no limits.

 
 

Tilta Technology Co., Ltd was founded in 2008.

In the beginning, our staple products were DSLR camera rigs. Today, filmmakers at every experience level use the tools we manufacture and develop to make their ideas a reality.

The Tilta design team is determined to create and produce high quality camera accessories.


 

 
 
Tilta Logo
 

Camera Rigs

Tilta Arri

For Arri

For Blackmagic

For Blackmagic

For Canon

For Canon

for Panasonic

For Panasonic

 
 
 
 
For RED

For RED

Arm your camera with this Tilta camera cage specifically designed for the DSMC2 line of Red cameras. It provides a high quality aluminum, CNC-milled protective armor for your camera that has several ¼”-20 and ⅜”-16 mounting points for attaching accessories.

The Tilta Basic I/O Module on the back of the cage directly integrates with the camera body to provide several power, video, and audio in and outputs. The battery plate on the back comes in either V-mount or gold mount based on your preference. Pins on top of the module directly communicate with the top plate and top handle when attached which transfers the in/out functionality to them. This allows you to power your accessories from virtually anywhere on the cage.

The top handle features a record start/stop button and the included Top Handle Power Connection Module can be attached to either the front or back of the handle to provide even more 2-pin and 3-pin power outputs.

 
For Sony

For Sony
Camera Cage for:

  • Sony Venice
  • Sony a7 Series
  • Sony a7/a9 Series
  • Sony FS5
  • Sony FS7
  • Sony a6 Series
  • SONY F5/F55 Cage

Sony a7/a9 Series 

This extremely versatile camera cage is designed for the Sony a7 series of cameras (a7S, a7S II, a7R, a7R II, a7R III, a7 III) as well as the Sony a9. It provides a high quality aluminum, CNC-milled protective armor for your camera that has several ¼”-20 and ⅜”-16 mounting points for attaching accessories.

It’s designed to fit around the camera’s hot shoe mount as well as the battery and side input/output compartments.

Camera Cage for Sony a7/a9 Series
 
 
 
 

Matte Boxes

4×4 Lightweight Matte Box

4×4 Lightweight Matte Box

4x4 Carbon Fiber Matte Box

4x4 Carbon Fiber Matte Box

4x5.65 Carbon Fiber Matte Box (Swing-away)

4x5.65 Carbon Fiber Matte Box (Swing-away)

4x5.65 Carbon Fiber Matte Box (Clamp-on)

4x5.65 Carbon Fiber Matte Box (Clamp-on)

 
 
 
6×6 Carbon Fiber Matte Box

6×6 Carbon Fiber Matte Box

This 6×6 carbon fiber matte box features a swing-away design for easy lens changes. It is designed for use on 19mm studio rod systems.

The three filter stages allow for multiple filters to be used at once, two of which are 360-degree rotatable. Included in the package are several hard mattes that provide flare coverage for all focal lengths between 16mm and 180mm.

When coupled with the three French flags that are also included, there is an almost infinite amount of flare coverage.


Packing List:

1. Carbon fiber body
2. (3) 6×6 filter frames
3. (3) Filter stages, two of which are 360 degree rotatable
4. (1) Top French flag
5. (1) Left side French flag
6. (1) Right side French flag
7. (1) 19mm rod adapter
8. Ф134mm/114mm/95mm/80mm lens attachments
9. (5) Hard mattes (16-20mm, 24-28mm, 35-40mm, 50-65mm, 85-180mm)

Adaptor Rings
 
 
 

Follow Focus

Single-sided Cine Follow Focus

Single-sided Cine Follow Focus

Single-sided Cine Follow Focus

Single-sided Cine Follow Focus (Open Box)

Follow Focus Kit

Follow Focus Kit

Single-sided DSLR Follow Focus

Single-sided DSLR Follow Focus

 
 
 
Dual-sided Cine Follow Focus

Dual-sided Cine Follow Focus

This dual-sided follow focus has a 1:1 hand wheel-to-gear ratio for extremely accurate focus pulls. The dual-sided design allows you to adjust your lens’ focus from either side of the camera.

It attaches to both 15mm LWS and 19mm rod supports by snapping onto the rods. This allows you to adjust, mount and remove it without the need to remove other accessories that are also mounted onto the rods (such as matte boxes and lens supports).

The gear is attached to a swivel that allows you to rotate it against the lens for a tight fit. You can also slide the whole unit from side-to-side, allowing you to easily adjust to fit any size of lens.


Packing List:

1. Dual-sided follow focus body
2. (1) 15mm LWS rod adapter
2. (1) 19mm studio rod adapter
3. (2) Hand wheels
4. (1) Hand wheel extension arm
5. (1) 300mm focus whip
6. (1) Follow focus speed crank
7. 0.8/64T, 0.8/38T, 0.8/43T, 0.6/64T, 0.5/78T follow focus gears
8. (4) Marking discs
9. (1) Hard shell case

 
 
 

Support Systems

Baseplates

Baseplates

Battery Plates

Battery Plates

Dovetails

Dovetails

EVF Support

EVF Support

 
Lens Support

Lens Support

Rods

Rods

Screws

Screws

Shoulder Support

Shoulder Support

 
Wooden Handles

Wooden Handles

 
 
 
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3-Axis Gimbals

Gravity G2X Compact Handheld Gimbal System

Gravity G2X Compact Handheld Gimbal System

Gravity G2X Compact Handheld Gimbal System – (Open Box)

Gravity G2X Compact Handheld Gimbal System – (Open Box)

Gravity G2 Handheld Gimbal System

Gravity G2 Handheld Gimbal System

Gravity G2 Handheld Gimbal System – (Open Box)

Gravity G2 Handheld Gimbal System – (Open Box)

 
 
 

 
 
Gravity 3-Axis Gimbal System

Gravity 3-Axis Gimbal System

The Tiltamax Gravity 3-Axis gimbal is used to stabilize large digital cinema cameras up to 33 lbs (15 kg) via 3-axis motor calibration.

The Gravity easily adapts to different environments and shooting requirements. It can be handheld, mounted to a jib, anchored to a camera car, mounted to a suction cup rig, etc.

The Gravity comes with our unique Steadicam-inspired lead screw technology.

This design assists in the fine-tuning of the balancing of the gimbal, allowing you to find the ideal balance in no time. There is also a unique auto calibration system installed, which automatically goes through each axis to find the best settings for your rig in seconds. The Gravity guarantees the best performance with no system crashing or drifting.

The gimbal is very lightweight and extremely versatile. Cameras that can be flown on the Gravity include (but are not limited to): Red DSMC2, Sony F55, Sony FS7, Arri Alexa Mini, Canon C200/300 Mark II, and more.

A wireless connection allows for the remote control of the gimbal via the Mimic system (included in the package), the 1A Tools Alpha Wheels, the Futaba joystick controller, and more.

The package comes complete with an elegantly designed power solution system that can allow an operator to monitor the power supply of the gimbal during shooting. Multiple voltage persistent outputs are built-in so you can power different equipment at the same time such as a wireless follow focus, monitor, wireless video transmission, etc. The Gravity was also designed with internal power and SDI video cables for a neat, clean profile.

 
 
 

Lens Control Systems

Nucleus-Nano: Wireless Lens Control System

Nucleus-Nano: Wireless Lens Control System

Nucleus-M: Wireless Lens Control System

Nucleus-M: Wireless Lens Control System

Nucleus-Z: Zoom Control System

Nucleus-Z: Zoom Control System

Nucleus II: Wireless Lens Control System

Nucleus II: Wireless Lens Control System

 
 
 

Wireless Transmission Systems

Nucleus-Nano: Wireless Lens Control System

Wireless HD Video Transmission Suite Pro

This HD wireless video transmission suite allows for a clean wirelessly-transmitted image of up to a 1500 foot range. It features a 5GHz ISM frequency band with a maximum of

10 frequency channels that can be  selected with the user knob so that you can avoid connection interference with other wireless systems. 

The receiver outputs 1080p resolution at 60Hz through both HDMI and 3G SDI connections with no delay or compression.

It also supports multiple audio formats including Dolby True HD and DTS-master.

The receiver can be powered through either AC power or with a camera battery (gold mount or V-mount versions are available).

 
Wireless HD Video Transmission Suite Pro Receiver

Wireless HD Video Transmission Suite Pro Receiver

This HD wireless video transmission suite allows for a clean wirelessly-transmitted image of up to a 1500 foot range. It features a 5GHz ISM frequency band with a maximum of

10 frequency channels that can be selected with the user knob so that you can avoid connection interference with other wireless systems.

Simply rotate the channel dial on the transmitter and receiver so that they match in order to wirelessly transmit the video signal. By attaching the omnidirectional antennas to the top of the transmitter and receiver, you can get the most out of the unit’s range.

The receiver outputs 1080p resolution at 60Hz through both HDMI and 3G SDI connections with no delay or compression

 
 
 
 

Stabilization Systems

Armor Man 2.0

Armor Man 2.0

The Armor Man 2.0 was designed to offer comfort and support while operating your gimbal by transferring the weight of the gimbal to your body’s core instead of your arms. This allows you to operate comfortably for a much longer period of time while not sacrificing gimbal operation flexibility or performance.

Two mechanical arms with shock-absorbing stabilized systems attach to the back of the adjustable vest. When engaged, the arms have two adjustable tension knobs on each arm to allow you to adjust for the weight of your gimbal/camera rig as well as your preferred operating style (whether you want the arms bowed out away from your body or tight and compact to your body).

The arms attach to top bar-based gimbal systems through the Support Cups, which you attach by just sliding the cups onto the bottom of the side handles. If you have a ring-based gimbal, the Universal Gimbal Ring Adapters allow for an easy quick release solution to attach and detach the Armor Man’s arms onto a gimbal’s ring system.

When you’re done operating, simply disengage the arms by pulling the release cords for each arm and then comfortably rest them on the sides of the vest. This allows you to keep the vest on in between shots and then when you’re ready to operate again, simply re-engage the arms.

 

 
 
Suction Disc Shock Absorption Cradle Head

Suction Disc Shock Absorption Cradle Head

This is a high quality, four point precision suction mounting device. Each suction cup can hold a capacity of 30kg (66lbs). Utilizing Arri Standard Rosette-based articulating extension arms, adjusting of the suction cups is made easy to allow you to mount to a variety of different surfaces.

The shock absorption cradle head was designed to be used with the Tiltamax Gravity 3-Axis gimbal — however, the head can also be made compatible with most 3-axis gimbal systems currently on the market.

A battery plate on the underside of the cradle head (available in either gold mount or V-mount) allows for convenient, compact powering of additional accessories such as the Nucleus Series Wireless Follow Focus Systems and Wireless HD Video Transmission Systems.

When used in conjunction with remote operating systems such as the 1A Tools’ Alpha Wheels, you can have full control over your gimbal while it’s mounted to the cradle head.

 
Tilta Shock Absorbing Arm

Tilta Shock Absorbing Arm

The Tilta Shock Absorbing Arm provides the ultimate experience in vehicular stabilization. The front arm is a hydraulic damping support system. Using two hydraulic cylinders, it can get ultra smooth shots even when stressed to its maximum payload capacity: 55lbs!


The Tilta Shock Absorbing Arm was engineered for high speeds. The faster you go, the more the arm will provide enhanced resistance, peak shock absorption, and stability. The built-in damping adjustment knob can be used to fine tune your rig for optimal calibration. The main car mount of the arm insulates the “after-shock” that can stem from the mounting equipment itself. Simply use one 1.5 inch speed rail (2 inch outer diameter) to connect it to any vehicle car mount rig, making it a highly flexible system to get a variety of car-mounted shots.

The Tilta Shock Absorbing Arm can handle various shooting environments via the main arm’s shock absorbing spring with built-in tension adjustment from 22lbs to 55lbs.