A comprehensive optical manufacturer, Kenko Tokina manufactures everything from binoculars and microscopes to filters and a full range of photographic and optical accessories. It one of the largest OEM speciality binocular manufactures supplies one of the world's leading brands. In the field of camera products and telescopes, it holds the number one share in Japan and many countries throughout the world. Kenko company is also a parent company of several other camera accessory companies.

Part of Kenko Tokina Co. Ltd, Tokina has a optical manufacturing tradition that dates back over 60 years. Tokina specializes in high-quality lenses for todays digital single lens reflex (DSLR) cameras. This brand is known for speciality fast glass like the ATX-116 PRO DX, a top rated 11-16mm f/2.8 lens.


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18mm, 25mm, 35mm, 50mm, 85mm
T1.5 Cinema Prime Lenses

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Super Fast T1.5 Cinema Prime Lenses
Virtually No Breathing

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16-28mm T3 Mark II Wideangle Zoom Lens

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CINEMA ATX 100mm T2.9 Macro Lens

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Ready for a Close-Up! 100mm Cinema Macro

The newly designed Tokina Cinema AT-X 100mm T/2.9 macro is a true 35mm, full-frame, 1:1 macro close-up lens. Sporting a new look and design, the lens achieves maximum magnification at a working distance of 11.8 inches (0.3 meters). This allows enough space for lighting, the camera operator, and the subject to work comfortably.

100mm T2.9 Macro Lens

16-28mm T3 Wideangle Zoom Lens
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16-28mm T3 Wideangle Zoom Lens

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Go super-wide to capture more scene per frame

The highly innovative Tokina Cinema 16-28mm T3.0 has beenre-engineered to meet the demanding needs of the professional cinematographer. Using the successful optical formula of the award winning still lens, Tokina engineers have created a lens that is Parfocal, has dramatically reduced breathing and image shift, and a de-clicked, 9-bladed, curved iris for beautiful bokeh and precise exposure control. With its 28cm close-focus capability, the lens allows you the freedom to capture a super wide-angle of view while still maintaining a tight perspective on your subject.


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50-135mm T3 Telephoto Zoom Lens

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Highly versatile zoom range in compact design

The Tokina Cinema 50-135mm T3.0 delivers a highly versatile zoom range in a compact design. Tokina engineers have created a lens that is Parfocal, has dramatically reduced breathing and image shift, and a de-clicked, 9-bladed, curved iris for beautiful bokeh and precise exposure control. With its 1M close-focus capability, the lens allows you the freedom to capture a tight close-ups while maintaining a comfortable distance from your subject.

50-135mm T3 Telephoto Zoom Lens

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CINEMA ATX 11-16mm T3 Wideangle Zoom Lens

11-16mm T3 Wideangle Zoom Lens
Diameter of Front Head PL: 85mm Canon EF, Sony E, MTF: 84mm
Maximum Diameter PL: 85mm Canon EF, Sony E, MTF: 84mm
Weight PL, Canon EF: 0.69kg / Sony E: 0.81kg / MFT: 0.78kg
Lens Hood PL: NA Canon EF, Sony E, MFT: BH-77A

Take it all in without taking a step back

The compact, lightweight Tokina Cinema 11-16mm T3.0 is not just a simple rehousing of the critically-acclaimed still lens version, rather the lens designers re-engineered it to provide cinematographers the control and performance they have come to expect in lenses that cost 10 times as much.

Engineered to offer superb optical 4K performance the 11-16mm T3.0 delivers sharp, consistent images throughout its zoom range by reducing breathing and maintaining focus throughout the zoom range (Parfocal). Its compact size gives you the flexabilty to use it in creative ways not possible with larger lens designs

Mount PL, Canon EF, Micro Four Thirds
Focal Distance 11-16mm
Zoom Ratio 1.45:1
Optical Structure 11 groups /13 elements
Sensor Size Super 35mm
Minimum Focus Distance 0.35m (1.15ft)
Maximum Macro Magnification 1:11.6
Zoom Mode Rotary Zoom
Aperture/Iris Blades 9
Depth of Field T3.0 – T22 (F2.8 – F22)
Filter Size PL: 82mm, Canon EF, MFT:77mm

Overall Length:
PL Mount:             103.3mm (from 86.5mm mount surface)
Canon EF Mount:   97.9mm (from 91.7mm mount surface)
Sony E Mount:      122.9mm (from 117.7mm mount surface)
MFT Mount:          120.7mm (from 116.5mm mount surface)



  • Now available in PL in addition to the existing Canon EF, Sony E and MFT mounts
  • 166° focus throw on a super-wide angle zoom lens (PL mount model)
  • Proven ultra-wide angle optics have been converted to an 11-16 T3 cinema lens for use with APS-C, Super 35 and smaller image sensors
  • Parafocal optical design allow you to maintain precise focus while zooming
  • Reduced focus breathing so you an focus on the action unfolding and not the lens
  • 4K from the beginning with excellent sharpness and we controlled chromatic aberration
  • Two SD (Super-Low Dispersion) glass elements and two aspheric lenses allow our proprietary optical design to achieve excellent contrast and sharpness
  • Durable, compact all-metal cine-style housing with geared manual zoom, focus and aperture rings for use in follow-focus systems
  • Smooth, de-clicked, 9-bladed, curved iris
  • Virtually no image shift when using the focus or zoom control during filming
  • Available Mounts: PL(New), Canon EF , Sony E and MFT
Independently geared zoom

Independently geared zoom, focus and aperture controls for use in a variety of followfocus systems.


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